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France
- Belgium / 1973
Directed by Jess Franco
Starring
Lina Romay
Jack Taylor
Monica Swinn
Color / 101 Minutes / Not Rated
Format: DVD (R1
- NTSC)
Image Entertainment
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Now
available in the 4-disc
Jess Franco Collection
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Review
by
B. Lindsey
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1
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5 |
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10
= Highest Rating |
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A
sexy, raven-haired woman emerges from the mist, walking through
a forest as if in a trance. Save for a black cape, knee-high
boots and wide leather belt she is quite naked. To the strains
of a lilting romantic melody she draws closer and closer. Suddenly
she stops, staring vacantly into the camera. The shot pans slowly
down over her bare breasts to zoom in on the dark thicket of
her pubic hair, then seems to fade to black... only to return
us to this Goth exhibitionist, still standing in the forest.
Now she moves forward again, coming right at us, walking directly
into the camera —
literally, for she bumps her chin on the lens.
Yes, folks, it's a Jess Franco film. And this time, using a
slew of aliases, he handled almost all the major chores himself,
including the screenplay, photography and editing. The results
are disastrous. Female Vampire
is a sloppy, disjointed, boring mess. With a self-indulgent
Franco at the helm, this ship doesn't just run aground — it
is dashed to pieces on the rocks. While I've only seen a fraction
of his huge body of work, it's apparent that Franco truly needs
a strong-willed producer to ride herd on him, keeping his more
avant-garde impulses in check. Otherwise he comes up with dreck
like this.
Lina Romay — who replaced Soledad Miranda
as Franco's cinematic muse after the Eugenie
de Sade star died in an auto accident — is Countess Irina,
last of the Karlstein line of vampires. On a picturesque island
off the Spanish coast she seduces both men and women and drains
them not of blood, but of their very life essence. This isn't
done via the traditional bite on the neck, either. In Franco's
kinky twist to standard vampire lore, Irina sucks the life out
of her victims while performing oral sex. At least they die
happy! Her beefy, unnamed manservant (who really should be called
Morpho as far as I'm concerned) takes care of any bodies that
require disposal. The local cops are puzzled — a bit too nonchalant
as well — about the mysterious deaths she leaves in her wake,
but the island's pathologist, Dr. Roberts (director Franco,
in yet another supporting role in one of his own films), suspects
vampirism. He takes his theory to an occult expert, a blind
weirdo named Dr. Orloff (Jean-Pierre Bouyxou), for confirmation.
Meanwhile a visitor to the island, a bohemian seeker type (Sexy
Sisters' Jack Taylor), is drawn to the mysterious Countess
and falls for her, even though he realizes that to love her
physically means death.
Irina is painted as a tragic figure, trapped
by destiny to kill those she wants only to love. She's extremely
horny, too — the film conjoins her desire for the "life force"
with that of lust for carnal pleasure. Romay is naked (or nearly
so) for 99% of the film, and when not getting it on with someone
she's languidly rolling about on her bed, teasing her servant
and masturbating with abandon. (At one point she performs fellatio
on a bedpost... Jeez! Somebody get this gal a vibrator!)
Franco is obviously besotted with Lina Romay. (They would eventually
become lifetime companions and are still making movies together
some 30 years on.) He forces us to wallow in her fleshy charms
ad nauseum. Sure, she's an attractive woman, with a great rack,
but she's just not All That And A Bag Of Chips. Romay lacks
the beguiling, magnetic screen presence of Soledad Miranda;
an entire film simply can't be built around zoom shots of her
ass and crotch, as much as Franco seems to think so. (At least
she doesn't have any bruises or zits on her bum.) Since Irina
is mute, never speaking to the other characters, Romay's naked
body does all the talking. It isn't long before the conversation
becomes tedious... Not exactly the viewer reaction Franco was
aiming for, I'd wager.
When near-constant nudity and softcore sex
grow tiresome then you're in serious trouble. Increasing the
aggravation, composer Daniel White's score repeats the same
sappy theme over and over and over again to the point of annoyance.
The script's insipid English dialog is further compromised by
godawful dubbing. But it's Jess Franco's directorial style that
truly sinks the film. Wobbly panning shots, combined with a
fetishistic predilection for the zoom lens and generally haphazard
editing, make Female Vampire look
like an amateur production at best, despite the fact that at
this point Franco was already a seasoned filmmaker with a number
of well-made movies under his belt. (So did he actually intend
for so many shots to be out of focus?) Clearly, Franco's 'art'
is usually best served when someone else is holding the camera.
I can say this in defense of Female
Vampire: it's not quite as heinous as Franco's
Lust for Frankenstein. It is
boring as hell, though — truly the Kiss of Death.
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| Image
Entertainment's DVD presents the 'middle' cut of Female
Vampire, which falls somewhere in between the heavily edited
(and altered) American cut, Erotikill (a.k.a. The Bare-breasted
Countess), and the hardcore porn French version. The 2.35:1
anamorphic widescreen print displays some damage (especially during
the whipping sequence and Dr. Roberts' discovery of Irina in her
bath); colors look a bit faded and washed out. The mono audio
tracks — the original French is included as an option, though
without subtitles — are serviceable enough. As extras the disc
includes liner notes by Tim Lucas, the French trailer (sorry,
no porno shots) and an 8½ minute reel of alternate footage used
for Erotikill. These scenes demonstrate just how radically
different that 'horror-centric' incarnation of the film is. In
them, Romay's nudity is mostly covered up and the death-by-oral-sex
motif is completely jettisoned in favor of traditional neck biting
and bloodsucking. 10/16/03 |
| UPDATE
In April 2005 Image is re-releasing Female
Vampire as part of the 4-disc Jess
Franco Collection box set. The entire
set sells for less than one of the stand-alone DVDs... A much
better deal! |
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