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U.S.A.
/ 1958, 1959
Directors:
Kurt
Neumann / Edward Bernds
Starring
Vincent Price, Al (David) Hedison
Patricia Owens, Brett Halsey
David Frankham, John Sutton
Color, B&W / Not Rated
THE FLY: 94 Min.
RETURN OF THE FLY: 78 Min.
Format: DVD
Double Feature Disc / R1 - NTSC
20th
Century-Fox Home Entertainment
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New
for 2007 — The
FLY Collection
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The
Fly
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7 |
Return
of the Fly
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5 |
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| Guest
Review by Rod
Barnett |
In
1958 Vincent Price became a horror film star primarily because
of The Fly. Although in the same
year he appeared in William Castle's House
on Haunted Hill, it was The Fly's
critical and box office success that truly catapulted him into
the public's eye as a horror movie actor. Strange that 45 years
after its release the film is still considered a minor classic
of the genre and almost any movie reference guide sings its
praises. The film is a little slowly paced, it has rather dated
special effects and even the actors in the movie had a hard
time keeping a straight face when filming the climactic moment.
Of course, for the modern audience another odd thing about The
Fly is that Price is neither the monster nor a villain
in the story. Hell, most of his screen time is taken up with
him doing nothing more than worrying about his brother or his
sister in law. How did such an atypical monster movie become
so well known and well remembered? I believe it is quiet qualities
like literate dialog, solid acting and a horrifying central
idea that make The Fly a great
old film. That and the somewhat staged, mannered way in which
the film (and its sequel) is shot, makes it both a product of
the '50s and a fascinating snapshot of an attempt to make a
science fiction/horror flick something more than just ray guns
and things from another world. The Fly
isn't much more than a step above earlier giant bug movies,
but it's a significant step. Even though I've seen this movie
15 times or more, The Fly's charms
always grab me so that whenever I watch it, I'm caught up in
the tale all over again. One day I'll finally track down the
short story the movie's based on; I'm sure it will only rekindle
my love of the film.
The
movie begins with wealthy industrialist Francois Delambre (Price)
being called late at night by his brother's wife Helene (Patricia
Owens). She's frantic, explaining that she has just killed her
husband Andre (Licence
To Kill's David Hedison). Francois doesn't believe her but
decides he should go to her and calm her down when he receives
a second phone call. This call is from the night watchman of
the Delambre family's foundry. The man explains that he's found
a man's body crushed in a metal press and he thinks he saw Mrs.
Delambre running away from the corpse. Worried now, Francois
calls Inspector Charas (Herbert Marshall) and rushes to his
brother's home. When the Inspector arrives Helene calmly explains
that she killed her husband but refuses to give any reason for
her actions. It is days later when she finally breaks down and
relates the tragic events around Andre's death. Several months
before Andre had a breakthrough in his attempts to create a
teleportation machine. After some minor setbacks and the accidental
disintegration of the family cat he finally perfected the device
and was ready to demonstrate it for Francois. But before he
could do so, he used himself as a test subject with tragic results.
A common housefly was trapped in the machine with Andre and
their forms were physically merged. Horrified at the results
and slowly losing his ability to reason, he destroys his work
and insists Helene must help him destroy his misshapen body.
After the huge
success of The Fly the studio immediately
rushed a sequel into production. Signing Price to star and reducing
the budget by filming in black and white, Return
Of The Fly was released in 1959. Often criticized as
a very poor follow up, the sequel is actually not a bad little
movie. It certainly hasn't got the originality of the first,
or its interesting flashback structure, but as a '50s creature
feature it has plenty of charms to recommend it. The movie picks
up the story 15 years after the end of the first film. Helene
Delambre has died. At her funeral, a reporter asking questions
about the mysterious events surrounding Andre's death accosts
her son Phillipe (Atomic
Submarine's Brett Halsey) and his uncle Francois (Price).
Inspector Beachum —
who we are told helped Charas
on the Delambre case all those years ago —
warns off the reporter. Phillipe
confronts his uncle and demands to be told the truth of his
father's death. When the whole tragic tale is laid before him
Phillipe reveals his intention to continue the work on the disintegrator/integrator
machine. Francois is horrified and refuses to financially back
the work as too dangerous. Undaunted, Phillipe pushes forward
with the help of electronics expert Alan Hinds (David Frankham),
hired away from Delambre Industries. Alan seems a godsend to
the effort to recreate the original machine until we learn that
he's a criminal on the run from the British police, wanted for
theft and murder. Hinds strikes a deal with a local fence to
sell the plans for the teleporter to the highest bidder. But
on the night he is ready to steal the necessary papers, Phillipe
stumbles across his plot and attempts to stop him. Phillipe
is knocked unconscious and Hinds decides that the best way to
get rid of him is to put him in the machine and disintegrate
him. Knowing of Phillipe's fear of flies (brought on by the
knowledge of his father's accident) he sadistically places a
housefly in the chamber with the helpless man. Hinds escapes
with the plans and shoots Francois in the process. When Phillipe
is reintegrated he and the fly have switched body parts in the
same manner as his father.
Return
of the Fly holds
up very well as a good B-movie until Phillipe comes out of the
machine. While many have criticized the first film for its poor
fly headpiece, this film compounds that perceived error by making
the headpiece huge and very unwieldy. I have to strain to keep
from laughing at poor Brett Halsey (or whoever they stuck that
thing onto) stumbling through the woods in day for night shots
whacking that oversized fly helmet on low tree limbs. There's
even one shot in which I swear the fellow is holding the contraption
onto his shoulders as he leans too far to one side. But I have
to admit that as bad as I find these moments, I still like the
film. For the most part it's a good follow up to the superior
original with some good ideas and a nasty streak courteous of
the vicious Mr. Hinds. And while the second film is better paced
than The Fly, it still commits
the sad error of not utilizing Price enough. He gets some good
scenes in the last 20 minutes, as he fights to help his nephew
even with a bullet wound, but Price should have been more central
to the story.
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| 20th
Century Fox has done a great job bring these films to DVD. The
movies come on one double-sided disc, with a film to each side.
Each look and sound fantastic. Both are letterboxed at 2.35:1
and have newly created stereo surround tracks with The
Fly
even getting a separate 4.0 surround track as well. They both
also have a French mono soundtrack (appropriate for stories taking
place in Canada) and English and Spanish subtitles. Trailers for
both movies are included along with promos for David Cronenberg's
1986 remake and its sequel The
Fly
2, Fantastic
Voyage and Voyage To the Bottom of
the Sea. This brings me to my only complaint with the DVD
— there are no extras. These films cry out for a documentary to
put them in perspective. Of course, there is a great little
documentary about these movies and the '80s remakes called The
Fly Papers that aired on AMC about 2 years ago. Too bad it
isn't on the disc. Maybe the rumored special edition of Cronenberg's
The
Fly
will have some nice stuff covering all five of the movies. I'm
crossing my fingers! If it not for the lack of extras I'd give
this DVD the highest rating I could — but as a bare bones disc
it still rates very high. 1/27/03 |
| UPDATE
The disc reviewed here went OOP in 2005. On Sept. 11, 2007 Fox
is slated to release The Fly Collection,
which contains these two films plus Curse
of The Fly (1965) and a slate of bonus features. |
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