SHORT TAKES: CAPSULE REVIEWS
THE HELLBENDERS

IMMORAL WOMEN

MOONLIGHTING WIVES
Scores: 10 = Highest Rating; 1 = Lowest (No decimals)
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THE HELLBENDERS - Italy - Spain (1967)
Anchor Bay Home Entertainment
Not Rated
| Color | 92 Min. | R1 - NTSC
DVD Released: March 13, 2007

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Reputedly a favorite of Quentin Tarantino (who screened it during the 1996 QT Film Fest in Austin, Texas), The Hellbenders promises more than it delivers for spaghetti western fans. It's directed by one of the godfathers of the genre, Sergio Corbucci (Django, The Great Silence), came relatively early in the cycle, and stars a veteran American actor. With these elements it should be a better, or at least more interesting, film than it turns out to be. The story's pretty thin. Shortly after the end of the Civil War, fanatical Confederate officer Col. Jonas (Joseph Cotton) and his three sons ambush a U.S. Army convoy hauling a million dollars in cash. After massacring the escorting cavalry they seal the money inside a coffin, pretending to be grieving family members transporting a loved one, killed in battle, back to their homestead for burial. Jonas wants to use the dough to bankroll a Rebel insurgency, to jumpstart a new Confederate movement. Some of his offspring have more selfish ideas. But they'll need a female to play the role of bereaved widow, so saloon cardshark Claire (Planet of the Vampires' Norma Bengell) is shanghaied into the operation. The only one of the clan that has a conscience, brother Ben (Juliαn Mateos), ends up falling for the strong-willed woman, straining his relationship with the others. (Jonas will in all likelihood order her shot when the mission's complete.) In the meantime they've got a long way to go before they're home-free, with every posse and cavalry patrol in the territory on the hunt for the stolen cash... After the violent opening — 32 men are killed in the first 10 minutes — the film is merely a series of episodic encounters that try to ratchet up the tension in rather standard, formulaic style. (Will they get caught? Will the colonel and his boys turn on one another? Are we likely to care?) Given the other Corbucci westerns I've seen I was frankly surprised at just how routine and generic this movie looks and plays. The sparse action scenes are well done and there's a nice, if not entirely unexpected, twist at the end — nothing more than that. And casting Cotton in the lead role adds absolutely nothing to the picture. He can't summon the gleam of a ruthless zealot to his eye; nor is he ever really convincing as a murderous thug cloaking his actions in a mantle of pious devotion to "The Cause". Like in Baron Blood, Cotton was just too grandfatherly and benign a screen presence by this late date in his career to project that kind of evil. On the positive side, the elegiacally somber score of composer Ennio Morricone (billed as "Leo Nichols") is a big plus. • • •  Anchor Bay hasn't done much of anything in the spaghetti western arena since the early days of the format — AB titles such as Compaρeros and Keoma went OOP recently, to be reissued by Blue Underground — so their March '07 release of The Hellbenders came as something out of left field. The 1.85 anamorphic widescreen transfer isn't exactly pristine and looks a bit overheated in spots but is otherwise quite acceptable; the dubbed English mono audio track (Cotton did his own looping) is similarly unexceptional but more than adequate. A step-through text bio of director Corbucci and the U.S. theatrical trailer are included as extras.
- B. Lindsey
Action-packed   Film: 5 | DVD: 5
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TAYLOR WANE'S EROTIC GAMES - U.S.A. (2007)
Secret Key Motion Pictures
Not Rated
| Color | 59 Min. | R0 - NTSC
DVD Released: February 13, 2007

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A hardcore porn star/director (Assturbators, Giant Jugs) and one-time Penthouse Pet of the Month (June '94), British-born Taylor Wane 'hosts' this DTV sexploitationer, which has no plot per se — the hour-long video is merely a succession of softcore lesbian grope sessions interspersed with Wane's brief comments and faked interviews with the actresses. (Among them A.J. Khan of Shock-O-Rama and Suburban Secrets, who reveals that she doesn't like sex toys.) The ladies get naked, fondling and rubbing up against each other as they strike various poses to generic rock music. Each vignette is set up as an erotic version of a commonplace game such as Pin the Tail on the Donkey, Blind Man's Bluff, etc., concluding with that universally popular pastime, Bobbing for Dildos. (Actually, the game theme is completely dispensed with almost immediately in every segment. Why waste any time before the gals go at it?) Wane then does her basic solo strip club act in front of a wall of mirrors and the thing finally ends. Just not my cup of tea, y'all. You see, I'm one of those old fuddy duddies that needs a little bit of story, an artful presentation, or perhaps some especially appealing babe to make viewing softcore sex flicks enjoyable. Taylor Wane's Erotic Games has none of those things going for it. And quite frankly, Ms. Wane — with her mammoth implants and über-beesting lips — can actually be a tad scary! • • •  This is one of the first DVDs issued by Secret Key Motion Pictures, a new subsidiary label of POP Cinema (formerly E.I./Independent) specializing in budget-priced sleaze. The main program, presented in anamorphic 1:85 widescreen, looks and sounds fine for what it is. Padding out the disc is a 42-minute bonus feature, California "Naked" Bikini Contest. Judging from all the big hair on display it looks to have been made in the early '90s. It's a shot-on-camcorder affair, in which a bevy of cute — albeit thoroughly unexceptional — lasses dance around in thong bikinis in a bar trying to win a thousand bucks... Yes, it's the video record of some cheesy nightclub's cheesy "Bikini Night" contest. Apparently the contestants were strutting their stuff to copyrighted songs the producers didn't want to pay the rights for, because really crappy stock music is substituted instead. The girls stay in their swimsuits during the competition so we're shown 'personal' interview segments (like we care!) in which some of them, but not all, flash a bit o' skin. (I was wondering where the "naked" part was supposed to come in.) It's a complete waste of time unless you just want to laugh at it as a kind of goofy time capsule. Topping off the disc is a promo for Taylor Wane's Erotic Games and six trailers for forthcoming Secret Key releases, such as The Breastford Wives and The House on Hooter Hill.
- B. Lindsey
Bare Flesh   Film: 2 | DVD: 5
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IMMORAL WOMEN - France (1979)
Severin Films
Not Rated
| Color | 115 Min. | R0 - NTSC
DVD Released: January 30, 2007

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Director Walerian Borowczyk (La Bκte, Private Collections) explores the pent-up sexual desires of three oppressed women in this anthology of sex and retribution. In the first story, luscious Marina Pierro plays a model who uses the kinky desires of two artists as a mode of empowerment; the second stars Gaelle Legrand as a teen with an unnaturally... um, close relationship with her pet rabbit; and the third features Pascale Christophe as a housewife who gets revenge on the abusive and/or neglectful men in her life. Viewers looking for lots of softcore romping are no doubt in for a disappointment — Immoral Women is neither as graphic as some of Borowczyk's other pictures, nor does it function as a light and playful celebration of female sexuality. The tone is bizarre and emotionally detached as it follows its three protagonists on their respective journeys — the outcomes aren't necessarily bright and cheerful, either. As usual for the director, the mise-en-scene is a fetishistic landscape of objects and peculiar details. Due to the short, if not skeletal, length of the individual episodes, none of the characters are developed as well as one might like. Even so, the director's keen visual sense gives the film ample style and personality. The emphasis on the kinkier side of sexuality, however, ensures that the film doesn't degenerate into an ordinary slice of sexploitation. If anything, it remains curiously remote and detached as its characters wallow in their peculiar hang-ups. • • •  Severin's release of Immoral Women is a good one. The 1.66/16x9 transfer is in excellent condition, with good color and sharp detail. The print is fully uncut, preserving the various shots of male and female frontal nudity, as well as some implied bestiality. English and French soundtracks have been included — while the latter is preferable, the English dub is by no means disgraceful. Removable English subtitles are also included. Extras are limited to a theatrical trailer and a Borowczyk on-screen bio written by Richard Harland Smith.
- T. Howarth
Bare Flesh   Film: 6 | DVD: 6
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WOODCHIPPER MASSACRE - U.S.A. (1989)
Camp Motion Pictures
Not Rated
| Color | 81 Min. | R0 - NTSC
DVD Released: January 16, 2007

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It's pretty amazing to think that a young guy in suburban Connecticut, with only $400 and a camcorder, made a movie that found its way onto the rental shelves of video shops all over the country. But that's what Jon McBride did. This was actually his second zero-budget film to receive distribution; the first was Cannibal Campout, a squalid shot-on-video splatter flick which was even released on VHS in a number of foreign countries. It was the late 1980s and the major video rental chains like Blockbuster and Hollywood didn't yet exist. All those Mom 'n' Pop stores needed a variety of movies to rent, and they needed them desperately — really, really desperately. Woodchipper Massacre is probably the worst film I've ever seen. (Yes, even worse than Lust for Frankenstein and Let Me Die a Woman.) It's about a trio of teen siblings (including writer/director McBride as the oldest) who use the titular machinery to dispose of a body after an accidental killing, then as a method of murder. These aren't evil kids at all; the victims are so cartoonishly hateful that they deserve to die. It was McBride's goal to make a black comedy with '70s sitcom-style characters put in macabre situations, but the humor doesn't work — at all — and the acting is just dreadful. At first mildly amusing in their ineptitude, the performances very quickly become shrill and nails-on-chalkboard annoying. Plot points are telegraphed with the subtlety of a sledgehammer wielded by the Incredible Hulk. Despite the title there is virtually no gore. (Not much of a massacre, either, with only two deaths.) There is nothing here, not even the tiniest crumb, to reward anybody for enduring this thing. And, of course, it looks and sounds just like a film that was shot on Super VHS for $400 — which is to say, awful. The obvious fun these enthusiastic amateurs had making Woodchipper Massacre does not transfer itself to the viewing experience in any way, shape or form. While I have to respectfully tip my hat to McBride for "gettin' 'er done" with practically nothing but a can-do attitude, I do not — simply cannot — like a single, solitary thing about his movie. Ugh! • • •  There's nothing the DVD medium can do to improve the audio/visual quality of a nearly 20-year old SOV cheapie. It is what is, and in that vein is at least watchable. There's no trouble understanding the dialog, even with the poor sound recording, since most of the actors (especially the kids) carry on as if playing to the farthest back rows of a community center auditorium. To compensate for the film's shortcomings the disc offers a decent array of extras. An audio commentary with Jon McBride is actually conducted by speakerphone (!) but works regardless (they had a good, clear connection); he waxes enthusiastic about the movie, recalling the good times he and the others had making it. A short 'looking back' featurette interviews McBride and various cast members, who all have similarly fond memories. (Tom Casiello, who appeared in Woodchipper as a 13-year old, is now an Emmy-winning writer for daytime TV.) A second featurette is a goofy 2002 interview of McBride by "Video Bob" of the now-defunct cable access show Stupid Movie of the Week. A still gallery and selection of trailers for Camp Motion Pictures releases are also included.
- B. Lindsey
Pure Dookie   Film: 1 | DVD: 5
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UBALDA, ALL NAKED AND WARM - Italy (1972)
NoShame Films
Not Rated
| Color | 90 Min. | R0 - NTSC
DVD Released: November 14, 2006

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Ultra-sexy eurobabe Edwige Fenech wasn't just the "Queen of the Giallo" — she also starred in a number of popular Italian sex comedies in the 1970s and '80s. This is one of them. Set during medieval times, Ubalda, All Naked and Warm concerns two cuckolded husbands and the ridiculous lengths they go to in order to bed each other's hot young wives. Meanwhile, the ladies — whose fidelity their hubbies believe to be safely locked behind iron chastity belts — are getting it on with virtually every swingin' dick in town. Edwige portrays the title character, wife of the town miller (Umberto D'Orsi), an insanely jealous older man. The other wife, randy spouse to an oafish knight (Pippo Franco), is played by skin flick veteran Karin Shubert (Christina), who's much younger and tighter here than when she got into full-bore porn. Personally, I've always found juvenile slapstick a bad mix with sexuality and nudity. They're like oil and water to me. In Ubalda's case it's like watching a kiddie film only with naked women and severed penis jokes. I didn't laugh once; only a couple of editing gags made me smile. Mostly I was just groaning and rolling my eyes at how dreadfully unfunny the supposedly comedic set-pieces were, especially the antics of Franco's bumbling dolt of a knight. Your average episode of Gilligan's Island plays like Noel Coward compared to this junk! (I guess you just have to be Italian.) I did drool over the Exquisite One, it must be said... Edwige's frequent nude scenes (including a topless, slow-motion gambol through a field of wildflowers) should satisfy her worshippers in spite of all the fast-forwarding they'll have to do. Although she doesn't even appear in the film until the 24-minute mark, Ms. Fenech is naked by 24:10. The producers knew exactly what they were hiring her for. • • •  NoShame's DVD gives the film a handsome-looking anamorphic transfer, in the proper 2.35 AR, from a nearly pristine print — damage/debris is quite minimal and colors only seem the teeniest bit faded in a couple of scenes. The flat, if serviceable, mono audio track is the original Italian, complimented by excellent English subtitles that can be toggled on or off. Extras, happily, focus squarely on the one reason this movie deserves to exist. In a recently-shot interview featurette, the still-stunning Edwige Fenech (who's now almost 60!) lightly skims over her career, spending the balance of the 8-minute running time discussing her memories of legendary director Federico Fellini. (She failed to get a part in 1973's Amacord, but was nonetheless able to hang out with the maestro during the period it was being filmed.) Edwige Fenech's Sexy Comedy Trailer Collection is a reel of promos for The Sexy Schoolteacher (1975) and its two sequels, The Sexy Schoolteacher At College (1978) and The Sexy Schoolteacher Comes Home (1979). All of these flicks are in the same ultra-lowbrow style as Ubalda, albeit set in the modern day, and appear to be somewhat funnier. (Fart jokes cross all language barriers.) Edwige's Groovy Sexadelic Reel is a music video of sorts, comprised of nude scenes from Ubalda jazzed up with cheesy video effects. Finally, there's Ubalda's theatrical trailer and a nicely illustrated booklet of liner notes by "Chris D." All told, at its current price the NoShame disc is a nice enough presentation but probably only merits a DVD Rating of "6". However, if you're a Fenech fan like me, you can add an extra point for, well... all that Edwige. Θ cosμ bella!
- B. Lindsey
Update This DVD went OOP in 2008. A new edition (using the same cover art) will be released by Mya Communications in July 2009.
Bare Flesh   Film: 3 | DVD: 7
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MOONLIGHTING WIVES - U.S.A. (1966)
POP Cinema/Retro-Seduction
Not Rated
| Color | 83 Min. | R0 - NTSC
DVD Released: November 14, 2006

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A sexploitation pic without any nudity to speak of... and it still manages to titillate! Moonlighting Wives was erotica auteur Joe Sarno's first color film in 35mm. It isn't nearly as risqué as many of its contemporaries but Sarno's ability to coax sincere (if sometimes awkward) performances out of rank amateurs certainly lends a quality atypical for such fare. The story concerns a bored suburban housewife, tired of her well-meaning but dull blue-collar hubby, who transforms a floundering stenography service into an efficient, high class call girl ring. Her girls are all desperate housewives, too, looking for kicks and easy "pin money". ("I'd do anything for forty dollars!") Our makeshift madam doesn't just arrange the "dates" and balance the books; she occasionally turns tricks herself, for the thrills as much as the dough. Eventually the operation gets too big and successful — consequences must be faced when the cops finally move in and shut it down... With its pseudo-documentary feel, Moonlighting Wives plays like a soap opera crossed with an episode of Dragnet, albeit a very sleazy one. Writer/director Sarno (Abigail Leslie is Back in Town) again explores his favorite themes, that of the domestic duplicity and sexual shenanigans going on behind the Leave It To Beaver facade of middle-class America. Its setting in the era when most married women stayed home to raise the kids full-time makes it more effective in this regard than his later, more sexually explicit films set in the post-Vietnam '70s. As usual, Sarno puts the women front and center, with female actions and desires driving the story; the men are strictly secondary characters. Sexy Gretchen Rudolph (billed as "Jan Nash") has a memorable turn as a lonely, abused young wife whose naive affair with the country club gigolo — a recruiter for the ring, sleeping with the boss — leads to her descent into prostitution. The snappy cocktail lounge score is a kitschy treat. Interesting as a cinematic time capsule if nothing else. • • •  POP Cinema apparently went the extra mile bringing this movie to DVD. Working from heavily damaged source materials (the only footage known to exist), the print was restored to a state of 'watchability' — a short featurette on the restoration process shows just how arduous a task this was. The final print used for the disc's full-frame transfer still looks pretty rough, of course, but is a thousand-fold improvement nonetheless, especially the color. Audio quality is as good as one could possibly hope for given the circumstances. Beyond the aforementioned restoration piece, extras include a 12-minute interview with octogenarian Sarno, who talks about his screenplay for Moonlighting Wives (based on a real-life Long Island, NY case), filming in his native Amityville, and the traditional morals-enforcing ending imposed on him by the producer. ("She had to pay the price the law demanded.") You also get the nudity-filled trailers to four other Sarno films and a booklet of liner notes by sexploitation authority Michael J. Bowen. Some great retro-paperback art from the '60s is used for the cover.
- B. Lindsey
Extra Cheese   Film: 5 | DVD: 6
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CHRISTINA - Spain - U.S.A. (1984)
Private Screening Collection
Not Rated
| Color | 91 Min. | R0 - NTSC
DVD Released: November 14, 2006

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I actually watched this at least twice on Cinemax nearly twenty years ago, but was rather inebriated both times and thus couldn't remember anything except the ending. (At a public disco, the titular heroine slips out of her fur coat — she's stark naked otherwise — and starts boogying.) I must've been really toasted, it seems, because otherwise I'd have recalled just how awful this made-in-Europe softcore skin flick is. Christina von Belle (American B-movie bimbo Jewel Shepard) is a filthy rich heiress with a thirst for hedonistic adventures. After orgying at a seaside villa with her boyfriend (Ian Serra, the guy from Pieces) and another couple, she's kidnapped and held for ransom by a gang of lesbian terrorists called, for no explained reason, the 10th of November Group. The leader of the terrorists is played by 'mature' porn star Karin Schubert (Black Venus), whose dubbed accent sounds like Zsa Zsa Gabor channeling Ilsa, She-Wolf of the SS; Josephine Jacqueline Jones, also in Black Venus, has a small role as one of the amorous amazons. Thus we're treated to a super-lame catfight, a bit of girl-on-girl petting and Christina's erotic dream-fantasies, in which she lolls naked in a cloud of dry ice vapor as black-gloved hands push toy cars and tanks across her body. (???) Christina eventually escapes from the island of sapphic militants only to fall into the clutches of a handsome Mediterranean smuggler, whom she naturally shags even though he, too, is holding her for ransom. Yet another escape is engineered with the help of a lovestruck teenage lad. (She boinks him, too.) Mr. Smuggler's goons take off after her, so the flick is climaxed by a dopey slapstick chase sequence in which a stunt driver on a motorcycle is almost killed. I suppose fans of Shepard (Return of the Living Dead, Hollywood Hot Tubs) will want to see this, but can't imagine anyone else getting much out of it. I certainly didn't. Christina is strangely dull and restrained despite the ample nudity and potentially exploitable situations. Shepard, while nice enough to look at, has zero screen presence in the title role. (She does get naked every ten minutes or so, at least.) The script is ludicrous — not, for the most part, in a good way. An annoying techno-disco score that positively screams "mid-'80s!" just makes things worse. Still, I'm feeling generous at the moment, so I'll give it an extra rating point for Shepard's lovely derrière and the scattered unintentional laughs amid the dialog. • • •  Private Screening Collection's DVD is woefully substandard for the high retail price. The full-frame transfer is decidedly murky and prone to serious interlacing during PC playback. It looks no better than a mediocre VHS copy. The mono audio track fares better but is certainly no consolation. (I mentioned the annoying music, right?) Not one single extra is included, not even a trailer. For $27 or thereabouts (new) this is simply unacceptable. I don't know how much the rights cost (the folks at Private Screening may have been ripped off for all I know), but this overpriced DVD truly belongs in the under-ten-bucks bargain bin.
- B. Lindsey
Bare Flesh Extra Cheese   Film: 3 | DVD: 1
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LOVE CIRCLES - France (1985)
Private Screening Collection
Not Rated | Color | 93 Min. | R0 - NTSC
DVD Released: November 14, 2006

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A pack of cigarettes travels from Paris to across the globe and back again in this episodic softcore sexploitationer, which chronicles the amorous adventures of the various characters who briefly have it their possession. Fortunately for the filmmakers none of these characters are chain-smokers. (Or are French cigarettes just that bad?) Unfortunately for the audience, none of them is particularly likable or interesting, either. A Parisian prostitute, an American tourist, a nymphomaniac, a dissolute aristocrat, a golddigger, an aspiring actress, a photographer... They flit through the picture in little vignettes, hooking up, knocking boots and then passing the cigs along to the next set of characters. And so on, to no real purpose. Alas, there was little in the way of drama or humor — unintentional or otherwise — to keep me awake in between the sex scenes, which consist of your perfunctory softcore petting and moaning and are decidedly more dull than erotic. (Someone's translation skills were noticeably off, as a scribbled note in English amusingly reads "MEET ME TO THE TOILET.") We do get some fine-lookin' ladies cavorting in the buff, however, among them Marie-France (Spermula), Sophie Berger (Emmanuelle IV), Jill Allison (a bodacious American or Canadian gal with no other credits) and the nearly-ubiquitous Josephine Jacqueline Jones. (So far, three of the four Private Screenings releases to date have featured the Jamaican 'Triple-J'.) I hope the cast and crew had a good time traveling to such locations as Paris, Monaco, Hong Kong, L.A. and New York, because they didn't get a very good movie out of the experience. • • •  Another overpriced DVD from Private Screening Collection. Love Circles' fullframe transfer isn't as dingy-looking as PSC's Christina disc (see above) but for 27 bucks it's severely disappointing, appearing to come from a faded tape source. Audio is adequate but no more than that. With such a low-quality presentation for this kind of money, there should be at least four or five other sexploitation titles bundled with it in a bargain-bin "T&A" pack. There are no extras — nada.
- B. Lindsey
Bare Flesh   Film: 2 | DVD: 2